SELECTED BIBLIOGRAPHY
2018 MFA visual art by research at Victorian College of the Arts
1993 Bachelor of Graphic Design, University of Canberra
AWARDS AND RESIDENCIES
2020 Finalist, John Glover Prize for painting
2020 Finalist, Athenaeum Club Visual Arts Research Award
2019 Winner, John Glover Prize for painting
2019 Inga Maren Otto Fellowship, In Process with Shaun Gladwell, Watermill Centre NY
2018 Winner, David Richards Drawing Award: Ursula Hoff Foundation
2018 Winner, Dominik Mersch Gallery Award
SOLO EXHIBITIONS
2022 Manifesta 14, directed by Catherine Nichols, project curator Petrit Abazi, Pristina, Kosovo. Supported by Australia Council for the Arts, Northern Center for Contemporary Art, and Dominik Mersch Gallery Water[shed], At Bett Gallery, Hobart Manifesta 14, European Nomadic Biennial with Stanislava Pinchuk. Directed by Catherine Nichols Curated by Petrit Abazi, TAS
2022 The Art of Protest, Newcastle Art Gallery, NSW
2021 Inaugural Group Show curated by Mariella Del Conte, One Star Gallery, Melbourne
2020 Athenaeum Club Visual Arts Research Award, Melbourne
2020 Glover Prize award finals exhibition, Falls Park Pavillion, Evandale, Tasmania
2019 Fundraiser, Box Gallery, Melbourne
2019 October Mountains Become Islands Dominik Mersch Gallery, Sydney
2019 Glover Prize award finals exhibition, Falls Park Pavillion, Evandale, Tasmania
2018 VCA Masters Graduating exhibition, VCA Stables, Melbourne
2018 Beyond Boundaries II, curated by Danielle Fusco and JuliaYoung, Melbourne Art Fair, Melbourne
Beyond Boundaries, curated by Danielle Fusco and JuliaYoung, Auckland Art Fair, Auckland
2011 Universal Personal, with: Brigit Ryan, John Gospar, Freya Pitt, Luke Adams, Alison Kennedy, Nathan Stolz, Sue Beyer. VCA Artspace, Melbourne
2011 Vertical Littoris, with: Bridget Mac, Seamus Heidenreich. UberFlug & Engels Kunst, Berlin Druck Berlin, curated by Dolly Demoratti: as Snip Green. Stattbad Wedding, Berlin
2010 A Perfect Day To Chase Tornadoes (White), curated by Superkaleidoscope with: André Bowen, Tim Bruniges, Harriet Clare, Lottie Consalvo, James Drinkwater, Kim Fasher, Denise Ferrante, Michaela Gleave, Christopher Horder, Zoe Keogh, Jordana Maisie, Sarah Mosca And Melissa Ramos. Kunstquartier Bethanien Studio. Berlin
2010 Dixieland After Dark: Breed & Educate, collaborative video and installation performance with with Nana Dix, TobiasYves Zintel, Joe Masi, Protein., Munich
2010 Grand Stand (Off), collaboration with Jordana Maisie ‘Grand-Stand’, MCG, Melbourne
Art Squat, site-specific at The Cricketers Arms, Sydney
PoorYoric, by Anthony Whelan and Virginia Wilson Fine Art: Ben Quilty, Shaun Gladwell, Koji Ryui, Emma Price, Tim Silver, Tim McMonagle, Christopher Hanrahan, Jamie North, Fiona Lowry, Mel O’Callaghan, Tim Storrier, Paul Wrigley. Sydney and touring regional Australia
2004 The Drawing Room, curated by Back in Five. Blankspace Gallery, Sydney
2003 Slacking Off, with: Imperial Slacks Collective. Imperial Slacks Gallery, Sydney
2002 Montage, curated by Emil Goh. First Draft Gallery, Sydney
2002 United In Joy, collaboration with Fiona Lowry. Imperial Slacks Gallery, Sydney
2002 Deskjob, with: Angelica Mesiti, Julie Fragar, Jessica Macneill, Chris Fox, Marc Dempsey, TV Moore, David Thomas, Simon Cavanaugh, Fiona Lowry, SimonYates, Melody Willis, James Burke. Mori Gallery, Sydney
2001 Graphicalogistics, with: Ben Single (Aus), Deanne Cheuk (Aus), Daim (De), Dmote, Dash, Codeak (De), Marok (De), Seak (De), Tasek (De). Sydney/Perth
2001 Artcastle, with: Julie Fragar, TV Moore, Marc Dempsey, Jessica Macneil, Fiona Lowry, Koji Ryui, Chris Fox, Emma Price,Técha Noble Natsuho Takita. Offsite at Dover Heights, Sydney
2001 Monkey Controller, with Fiona Lowry. Alley Gallery, Sydney
SELECTED PUBLICATIONS
2022 Cathryn Drake, Art Agenda, 29 July 2022, “Manifesta 14, “It matters what worlds world worlds: how to tell stories otherwise””Accessed 19 Dec 2022 http://bit.ly/3Pzb7yo
Tracey Diggins, Danielle Wood, Greg Lehman, Kate Crowley. 2022. Water [shed]. Mt Nelson: Outside The Box / Earth arts Rights.
2019 Art Guide. March 12, 2019. “Piers Greville wins the 2019 Glover Prize”
Accessed 15 March 2019 https://artguide.com.au/piers-greville-wins-2019-glover-prize
Hobart Mercury 2019 “Praise for Pedder Study” Accessed March 9 2019. https://bit.ly/2UyaW
Art Almanac. March 11, 2019. “Piers Greville wins the 2019 Glover Prize” Accessed 15 March 2019 https://bit.ly/2Iv39FP
2019 Dadson, Manika. March 8, 2019 “Concrete painting of humans’ impact on environment wins iconic landscape award”
ABC News. Accessed April 13 2019.
https://www.abc.net.au/news/2019-03-08/painting-of-humans-impact-on-environment-bags-glover-prize/10884064
2019 Arts Review. March 8, 2019 “Piers Greville wins the 2019 Glover Prize” http://artsreview.com.au/piers-greville-wins-2019-glover-prize/
2018 Greville, Piers. “Fabricated Country: re-imagining landscape” Masters Thesis, December 2018. https://piersgreville.com/Texts
2018 Goldfinch, Elyse. “Terraforming the Anthopocene” Kings Artist Run Emerging Writers Program, July 6,
http://www.kingsartistrun.org.au/text/terraforming-the-anthropocene/
2011 Taylor, NAJ. “A response to Piers Greville’s Sublime Artifice” This Blog Harms, October 29, 2011. http://blogs.crikey.com.au/this-blog-harms/2011/10/29/a-response-to-piers-grevilles-sublime-artifice/